![]() ![]() Place them in order, on top of each other, but don’t spread them out in the Timeline yet. Then, go ahead and place the three Comps (Scenes 1, 2 and 3) in the Main Composition Timeline. So click on the layer, select the right-hand edge of the solid (or its “out point”), drag the edge to the right, and make it 96 frames or 4 seconds in duration (or longer if you wish). If you plan to produce an overall sequence that begins with 3 seconds of black, you’ll not only have to change the duration of the solid, but you will have to include another second to overlap in the dissolve. From the Solid Setting, go to Colour and choose Black - and select “Make Comp Size).īring the Black Solid into the Main Composition Timeline, as the first layer. To do so, make a black solid (referring to the Main Menu, go to Layer > New > Solid. But, to make the sequence look even better, you should fade up from the opening scene/composition, and fade down from the final scene. We’ll use an effect that will create simple transitions between each scene. In that Comp, you can add dissolves, to make the character walks through three locations over a longer passage of time. If the background moves too slowly (and the character’s feet slip), you will have to adjust the position of the artwork, so that it doesn’t travel as far, between Position keyframes.Īfter you’ve arrived at the right timing for each scene, you’re almost ready to place them in a Master Scene, or Master Composition.If you’ve placed the treadmill character against a panning background and the background appears to move too fast (and the character’s feet slip as a result), you will have to move the keyframes further apart, so that it takes longer for the background to pass by.The tempo of the pan depends on the rate of the walking character.In each comp, you should include the “looping” treadmill character, and any panning background and foreground material you would like to include in the scene.Įach scene/composition should include the tempo of the pan, so that it moves behind a treadmill character at the correct rate and does not make it look as though the character’s feet slip. That is, create the animation for each scene in its own composition. You should also create panning backgrounds in their own compositions. Let’s create a Main Composition that is 500 frames in length (go to the Main Menu and choose Composition > Composition Settings and enter 500 frames for duration). Concluding black screen = 3 seconds or 72 frames.Combined animation scenes = Approximately 360 frames (for now, at least).Introductory black screen = 3 seconds or 72 frames.You will need to include black at the beginning and end of the combined animation sequence, so you should add at least 3 seconds of black at the head of the animation sequence, and at the tail (but, more about this in a moment): It would be easier to make a composition with more than enough duration, and then trim back later. However, you’ll also dissolve in between each background, which will mean that you’ll require less than 15 seconds. Scene/Background 3 = 5 seconds or 120 framesĪdd those together, and you will get 15 seconds or 360 frames.Scene/Background 2 = 5 seconds or 120 frames. ![]() Scene/Background 1 = 5 seconds or 120 frames.In After Effects, make your Main Composition long enough to accommodate three panning backgrounds, including overlapping transitions. For instance, how you could combine three scenes of a treadmill walk sequence, to make a longer, overall scene. The following process covers the steps to get After Effects to dissolve or blend from one scene to another. ![]()
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